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Amorello eligible for BENEFITS OF THE LAW AND ANTI WEAR

The history of the cav. Salvatore Amorelli is exemplary of Sicily in which a healthy entrepreneurship must also fight against the institutional actors that should instead help her.

Amorelli Toto is a craftsman: a manual coupling innate talent, inventiveness, imagination and taste, qualities that make it good and appreciated beyond the borders of their land.

pipe factory, and soon they end up in the hands of heads of state, popes, high-ranking military and judiciary, which decreed the success of collectors worldwide.

Amorelli is one who believes at what he does in men and before you know it makes a major project: his factory, which employs a dozen people. Borrow money, they get benefits from the government contribution (POR), and - being an honest businessman - spends all realize its business plan. Banks help him advance the sums decreed by the State and the managing entity, the Caltanissetta Scpa that - being a political bandwagon - it fails after some time.

Amorelli not despair: it has the support of banks and in the end is still in receipt of a claim against the Ministry. Is an illusion that sooner or later that money will come, enabling him to pay off the debts with the banking system.

did not deal with the bureaucracy, with slimy quell'impianto within which the responsibilities evaporate, dissolve, are transferred from one person to another, each unable to give definite answers and quick. The banks - which so far have witnessed - first raised the cost of their intervention, higher and higher practical interest, then begin to disengage, withdraw the trust, seek the return from exhibitions and finally initiate the enforcement procedures.

The game started the massacre: the sufferings are reported in the Central Credit Bank of Italy, the claim is denied, the enforcement procedure goes on, the Judge of executions - A GOT - appoint a legal guardian.

Amorelli But he's stubborn, seeking payment for the claims by the Ministry with the seizure of these at the Bank of Italy. The measure was rejected for lack of jurisdiction Amorelli but does not give up: in the meantime has commissioned a series of expert reports on their bank accounts.

The result is surprising: in many cases it appears that the banks charged interest above the threshold of wear. Amorelli complains to the Public Prosecutor's Office and began a series of civil proceedings to be given the dirittoalla refund of sums unduly received by the banks as interest.

The rest is history: in Sicily of ocelots, the Prefect of Caltanissetta, Vincenzo Petrucci, Amorelli the company recognizes the right to use the facilities afforded to persons affected by the crime of usury (Law No. 44 / 91999 art. 20), expressing opinion (prefectural decree No. 560/12B - 19 AFI) for the suspension of legal and procedural terms to the detriment of the company. In particular, the enforcement proceedings brought by those banks are reported to wear suspended for a year and all of the administrative deadlines are extended for three years.

This is a small victory and the road to recognition of the right is still long, but the story of the cav. Amorelli must teach everyone that you must always fight when you are sure to be right.

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'DID THE ASSOCTU THE NATIONAL ASSOCIATION OF CONSULTING ENGINEERS OF THE COURT ON BANKING AND FINANCIAL

Founded on the initiative of dr. Roberto Marcelli, did the ' Assoctu ( www.assoctu.it ), National Association of CTU in banking and finance.
To be able to join you must be registered as OTC in every Court: The association aims to promote the moral and professional GROWTH of our members.
For our part, we welcome this initiative with great interest, hoping for an effective professional development CTU: Unfortunately, in fact, every day we are faced with exemplary professionals in the tax, tax, labor - CTU appointed in banking and finance - reveal obvious limits to knowledge in an area that merits - on the contrary - the maximum skills.
not forget that the CTU is "the glasses of the court" in a matter in which the judge relies on - often in an uncritical - the outcome of the findings produced by his most trusted collaborator.
Welcome, therefore, the dr. Marcelli, in the hope that the new association can contribute to effective professional development of technical consultants.

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the CMS dinvengono

after compounding Quarterly commissions also become legitimate overdraft charges. The CMS is restored by the dismantling of the Judiciary Law 2 / 09. [1]

Summary. 1. Introduction: the evolution of CMS. 2. Methodology of calculation of CMS: elements of unfairness. 3. The line of decisions in recent years to the nullity of the CMS. 4. The Law 2 / 09: void behind the doubling of the CMS. 5. The CMS in the calculation of TEG: The new instructions of the Bank of Italy for the detection rates for the purposes of usury law. 5. Summary and conclusions.


THE FULL TEXT OF THIS STUDY AND 'DOWNLOAD IN PDF FORMAT BY SECTION "NEWS"

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removed any lawful DOUBT: THE FALL IN CMS TEG

Despite being almost unnoticed, on the corporate website of the Bank of Italy was published in May 2009, the revision of "Guidelines for the collection of average rates of charge under the law usury. "
This document has been increasingly used by consultants and banks (unfortunately) too many OTC and judges to assert that CMS does not enter the calculation of TEG.
Finally, the Bank of Italy, in order to adapt the instructions on the detection of TEG with the regulation of L. 2 / 2009, CMS has included in component costs "of funding formula used for duration of (c / c).
The review is not without its critics - we will return soon - but it still represented a clear success in the road that leads to the final abolition of the overdraft charges.
We welcome your opinions on

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The technical appraisal ART. A CPC 696

leveraging the innovation introduced by Decree 35/2005 into law 80/2005, concerning the Institute of Preventive Technical Consultancy (ATP), this study - perhaps the first in Sicily - presented , at the Court of Palermo, a series of actions under Article. 696 bis cpc tending to establish the undue objective function by some banks to the detriment of their depositors.

use of such alternative means of resolution dispute was welcomed by some of the major national banks (Unicredit Banca di Roma and Banca Monte dei Paschi di Siena) as well as the President of the Court of Palermo, in October 2006, authorized the opening of No 4 proceedings conciliators.

In other Courts (Syracuse) instead, the President advised against the use of such an institution claiming (now admit it correctly) that in many cases the use al'ATP would be solved in an unnecessary increase of costs to the applicant with further extension times of the normal process of cognition that, in case of failure of conciliation, it would still have to start after the failed ATP experiment with the unknown phase in the use of CTU willing conciliatory.

confess that at that time the reasons given by Dr. Barbara Salvo, President of the Court of Syracuse, left me very disappointed, especially in light of the happy results of three of the four proposed reviews of Palermo, which was concluded with mutual satisfaction of both parties over a little over 150 days, a period of time sometimes not enough - in a normal process of cognition - to conclude the investigation stage.

Our clients had brought home, respectively, € 30234.44, € 147,434.02 and € 111,335.62, net skills paid for our advice, for the intervention of the legal and conciliatory to the work of the CTU. In this regard it should be noted that our CTP were initiated before the entry into force of Law 80/2005 and that in any event, I personally bring previously postponed its own advice by one party, for reasons I will address later.

In any event, while in the Tribunals of Syracuse and Catania proceeded with regular assessments of cognition, at the Court of Palermo, in 2007, presented a dozen requests for conciliation prior art. 696 bis cpc

After about two years the regular, with some exceptions, are all ripe for decisions, which are due between 2010 and 2011. Customers have so far borne the financial burden related to the Consulting Parties, the costs for the introduction of Judgement (Unified Contributions), the fees for lawyers and part of the CTU (where initiators), it should be pointed out that established practice in courts in Sicily - given the biblical times of the processes - to charge the actor, as a precautionary measure, the entire burden of CTU, only to compensate for this expenditure in case of victory. Instead

all ATP promoted the Court of Palermo no longer yielded no effect because:

· Some banks refused to settlement proposal from CTU. In this case the customer had to first pay the fees of the OTC (from 6,000 to € 15,000) awarded by the Court, and then propose a new trial (with the additional outlay of money), hoping that the advice already made when to ATP be accepted as a CTU in establishing the process, hoping in vain in most cases, because the questions asked at the time the request for conciliation, as always, were welcomed by the judge with the words "established by the OTC, as alleged by the plaintiff," formula that gives you total freedom of operation to the Advisor office and the same operating margins are also not reflected in the contradictory that is established between the parties in the proceedings, where the list of questions is formulated as the actions by the parties. We are thus in the uncomfortable position of having to apply for admission of CTU prepared in the ATP, as a means of assessment proceedings, knowing that our request will find difficult to accept. The customer must then submit to the payment of a new CTU, having lost about a year to bring the new lawsuit, with the well-cold comfort she can seek damages for "vexatious litigation" where the new CTU also tended toward the plaintiff's argument .

• In other cases, the findings of CTU were not deemed appropriate by the Banks that, while appreciating the danger of losing, they proposed settlement solutions is not economically acceptable to our customers. We found ourselves in the same situation described above.

• In one case, be held personally not uncommon, while the CTU to achieve the reconciliation, completely subverted our questions, confining them within the residual and developing an expertise on the other hand the results of which clearly fulfilled the intentions of the Bank to reduce the sum to be paid 20% of our claim.

• In other cases, the CTU has appointed understood its role as a conciliator, but merely bland efforts to promote meetings - always on time rejected by the bank - to the judge requesting an extension for more than eight months, only to renounce the mandate when the deposit was prepared expert. In this case, fortunately, the customers are not going be additional charges, but have lost at least another year of time.

• Finally, the process of grouping of Capitalia in UniCredit Group, this bank, which first had successfully concluded the proposed ATP, has changed its internal procedures required for the solution of the so-called "litigation expense" l ' proceedings may be initiated by the customer, by allowing a writ of summons, the legal office of the bank, requesting (According to the above) and set aside a sum equal to the value of the action brought. Thus the activity of each house counsel can be evaluated by your bank on the basis of the relationship between the sum set aside and that actually delivered on every single position. The greater the difference, so it will be appreciated the work of the office. This practice - now fully operational for the UniCredit Group - rule out the possibility of making a ATP, though usually considerably shortens the time of conclusion of litigation.

the light of experiences gained in the three years of operation of the procedure under Art. 696 bis, I personally have to recognize that the forecasts made by President Barbara have since been fully confirmed and complete because:
· The ATP is effective only upon agreement between the parties to fully and unconditionally nominanda adjustment of the findings of CTU, but this presupposes, however, that the parties may fit a suitable CTP and detailed in order to know in detail the various solutions that deliver early use of multiple criteria for the preparation of the calculations.

• In case of failure of ATP to the customer will have paid (handsomely) prepared by the CTU's elaborate, with no guarantee it can be used in subsequent proceedings on the merits; more, considering all the relevant observations posed by the lawyer. Plenteda in his now dated but still current article in the 18/07/2006, I believe that the consultancy report hardly formed in the procedure under Art. 696 can be passively accepted by a party and found this similar, quoad effectum, the report CTU performed during the proceedings of cognition.

it always the case of ATP failure, you will lose valuable time otherwise used for the initiation of a more useful assessment of merit
ALSO
is no need to clear the field from the illusion that, when ATP, "The CTU has the legal powers to hand over the documents required by the bank to make a complete audit report, while this is not possible in the prior appraisal. " The burden of proof is always on the party seeking to assert his reasons: in no case can be assigned to CTU tasks and functions that would lead him to make a real shift in the burden of proof, to the benefit of a party to the detriment of the other.

· Even if successful in the ATP, is not really in dispute that the costs of legal and CTU will be borne by the Bank, on the contrary, it is a reconciliation, in the settlement, each party will normally bear the own costs.
Notwithstanding the above question, my intervention is not intended to discourage those wishing to start an action under Art. 696 bis cpc, but simply to provide - based on experience gained in the use of this instrument - some things to get the best possible yield from the process.
It may, of course, streamline and shorten the settlement of disputes (with obvious economic advantage), but can also become an increasingly dangerous and costly obstacle to the already lengthy definition of the ordinary trial. Dr. Baldassare
Accolla
Consultants & Associates

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WITHOUT ETHICS AND MORAL IS NOT WITHOUT going anywhere. BANKS DO NOT HAVE TO MISS THE CREDIT BUSINESS

said the Governor of the Bank of Italy, Mario Draghi, intervening morning meeting of the ABI.

"Banks - urges Dragons talking about the overdraft charges - replace, once and for all, commissions complex and opaque."

Unfortunately, the Governor of Bank of Italy seems to preach to the deaf, since they just go into any bank branch to be denied even the simplest and most secure credit facilities (the bank).

The CMS then, the controversy is more heated than ever. In courtrooms across Italy, armies of lawyers to defend party still insist that an institution, for the same pit of Dragons, "is not sustainable and legally is even paradoxical, when placed in comparison with its practical, everyday application by the Banks.

Please read the interesting observations made on the subject by Dr. Roberto Marcelli, in a series of articles and interventions that can be downloaded from its website ( www.studiomarcelli.com ).

Above all you must not let our guard down, when surveying operations, always challenging the implementation of the CMS, even if agreed upon, because it is void for lack of cause.

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Dialogues

Here is a book just released, and already won me over! Moreover Leone Jew, or, more precisely, Abrabanel Yehudah, the Portuguese jew who wrote these dialogues , without being able to see printed, it can be considered the author of a bestseller (as does my friend Eugenio in 'Introduction ) Renaissance text that has enjoyed an extraordinary success.

Love is the golden vein of the Renaissance, after all, and not just because the theme is purely platonic, but also because at that time if it makes a theory on a large scale and at different levels. Leo (the name Judah is attributed to Leo on the basis of Genesis , 49.9, "Judah is a lion") is cut out, in my opinion, an area of \u200b\u200bunique theoretical scenario because it is symmetrically away the sophisticated processing Ficino both raw and polished examination that Bruno makes love in its most radical (and municipalities) that have the desire and passion. Leo makes his characters talk about Sophia and Philo, namely the wisdom and falling in the background and detail of perpetual courtship

knowing, Sophia, because in my love and desire (p. 7).

are the first words he said Philo, that the beloved and desired replica, curious, knows how to be people of love nibble, but not defeated by it:

discordant seem to me, Philo, these effects that the knowledge of me in you produce, but perhaps the Passion makes you say so (p.7).

If these dialogues were entitled Polls love would have had less success, I think. Because the strength of this work is to dig and theories to emerge from an act of love, a courtship that is a circle and a Reciprocal probing. This leads me to think that every courtship (which is not reduced to a whistle behind a miniskirt: us kids of the fifties we did) is an effort to acquire knowledge, a study, but also, conversely and correspondingly, each study, any serious consideration ( than the gobble news and gossip) is a courtship, an effort of a different nature, which tends to satisfy a desire.

But let us proceed with order. Who was this my lord Judah Leone-jew? Who can say. Of him we do not know almost nothing, except that, perhaps, was born in Lisbon between 1460 and 1465, while that in 1492 Christopher Columbus landed on the shores of the new world, the family landed in Abrabanel Mergellina and Naples was apparently long lion, making travel along the peninsula. He died in the twenties: given a little 'hazy, but we must be content. It is certain that he was a physician, it is certain that he read Marsilio Ficino (obligatory passage of all the theorists of love), it is very likely that had his training in which the elements typical of the peripatetic intertwined with Jewish and Arab, as was the case for all members of the Jewish community.

The Dialogues of Love saw the light only in 1535, through the work of a certain Mariano Lenzi that, as a tribute to a beautiful woman he loved, not having enough spirit to dedicate something of his own, original, the dedicated a result, "born in the gardens of others," confesses the same as in the dedication Lenzi A the brave Lady Aurelia Petrucci .

is an oddity, but that is also a Platonic topos (or a Platonic element): the author is almost totally mysterious, do not even know if you wrote the work directly in Italian or not (Lenzi says he spoke on the text to make it clear, which suggests an imperfect knowledge of the Italian part of Leo, which might for that reason I wrote the first work in Latin), the posthumous work itself out (ie completely Sganga author), the receiver makes his own, but use it to pay homage to a woman who did not report any (as far as we know) with Leone. A chain of references to something to something else, someone to someone else: the famous criterion of the model and the image of Plato's memory is here thoroughly checked, since in fact the distance that separates the author from what he says is such as to leave almost believe that they support the things said by the sun, which are alive and are valid regardless of the pen that he penned. We are, in fact, present a direct manifestation of ' idea in its most high (or more proximately platonic, if you want).

The book and its ideas will impose themselves: they are a bit 'like the self-closing doors, which can also break if they are forced by an external hand. This automation makes me think that love is like this: a character of eternity's got no doubt, a universal character well, and even has a character of necessity, because it is inevitable.

also think the advantage of the gray matter, little or much it may be, is inevitable and universal, so that there are those who can not stop a moment and are continually challenged intellectually.

But mecessità of mind we know deep down her daily show, finance Clubs: thinking is like breathing, you can not do without, so much so that the mind works when we do not want.

Love no. It is necessary, inevitable and universal in another sense: in the practical sense, since it requires the presence another "object", that is what we want. The process is more or less the following: we stumble into something that maybe was not there before, we consider for a moment (we know it, you might say), then we begin to desire it, because we feel a strong impulse towards it. A silly cultural tradition requires us to suppose that this impulse does not come from the mind, by reason, but that depends on a failure, the prevalence trends of passion. The passion, have taught us, we must control it sopirla because crowd. This is not true, the passion and desire are the first and most immanent form of understanding of reality: an admission of consistency the real, because in fact I can not wish that what I have admitted that exists and, indeed, precisely because there I would have immensely in some form (for example, profound knowledge, such as a stable romantic relationship, for example sex , for example, the purchase by credit card, etc...)

With Leo kicks off rehabilitation of desire, which presumes a certain mitigation dell'intelletualismo, that attitude of love that binds to the existence and knowledge of things. Sofia, who is wise with a wisdom technical, speculative, but not full of wisdom (ie also moral), says:

then I would say that love requires knowledge of things that are, and the desire of those who are not and those that we are free (p. 10 ).

This is because the desire is bizarre, messy, can not focus on what is good. But Philo, who is the lover, the one who knows that that is the desire of love is an active (because it is also an active part of knowledge), respond

we want well not always what Aviam, but not what is not: indeed the desire of things wont be who they are as we can not have (p. 11).

There is another important element in Leo: the desire and passion are not alien to reason, but part of it. The reason has within it an incentive, one might say, that embodies the knowledge, as this gives way to desire:

The perfect and true love, which is what I I'll take you, is the father of the child of desire and reason, and me in the line finding the right has produced. For, knowing thee to be in virtue, wit and grace of no less admirable attraction of great admiration, my will desiring to your person, which is rightly considered to be the reason in all things good and excellent and worthy of love, this affection and love in you did convert me, creating desire in me that you will convert, so that I can be loving the same person you love, and love in equal one face of two minds (pp. 50-51).

Here's another aspect of Renaissance culture: a sense of unity, which is a concept that was strongly need the desire, the size of the practical and operational reasons, because the drive is not the abstract and assumed identity, but synthetic unity, or to put the Jew Leo (but also to Bruno) is conversion: the two, thanks to the desire, are converted into each other. In other words, the unit assumes the dualism and a criterion for resolving the dualism. This medium, in which the Aristotelian logic of identity is increasingly empty, is the real area where the fruits ripen the highest in the Italian Renaissance.

When I was teaching anthropology, philosophy seeks to understand these issues implicit in any theory of love, because from here you can then open passages significant to study the evolution of Western thought. In one of these courses I was assigned the reading of the first dialogue of Leone. But the book was not the only way (looking at the network) was the downloading of a text transcript of which I do not know loyalty. To my amazement the students were excited to read this and some of them it was almost upset. Little to do: Men and women De Filippi is a dominant model of communication in this field, but the answer to this flaw, and manipulation can not be silent, or reject the theme of love in the blind alley of relational psychology. There is a deep connection between love and knowledge, as there is one between reason and will. But unfortunately, the philosophers, smontanti by decades of ideological campaign, they are unable to reproduce the issue, both in theoretical and historical, and ridicule the question. And that's why you get students who did not believe even possible to understand something of the world through the story of what the great thinkers have said love, philosophy of love.

This is a cheers to Giovannozzi Delfina, who worked on this new edition of the text, and good at Eugene Canon that he moved it.

----------------------------------

From the second flap

Three Dialogues love Leo Jew (Judah Abrabanel), presumably written at the beginning of the sixteenth century and published posthumously in 1535, is one of the basic texts of the philosophy of love of the Italian Renaissance. Mysterious and work together, lucky between the year of first publication and 1607 editions twenty-five met with sustained success throughout the seventeenth century and, to some extent, in the next century.

The author, a true philosophical talent, is a fascinating figure of letters and medical Asperti at various currents of thought.

His Dialogues love are a synthesis between tradition unmatched Plato, Aristotle, the Arab culture abraica, biblical exegesis.

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Article 696 bis cpc - ATP: The results

Law 80/2005 has changed the institution of the investigation prevention techniques with the addition a period in the first paragraph of art. 696 Code of Civil Procedure and the introduction of prior technical advice for the settlement of the dispute.

the first operation has been extended the opportunity to request the technical assessment of the applicant and also the people of the person against whom an appeal is lodged, where consent.

Law 80/2005 intended also codify the principle that allows the expert, in the prior education not only occurs with a purely cognitive activity, the condition of things or people in dispute, but also the evaluation the causes and the damage suffered by the applicant. Before
provide for the deposit of the report, the consultant "try, if possible, reconciliation."

It 'clear that the activity aims to find a amicable solution to the dispute will be put in place by the consultant after having completed or well on the lead during his investigation, thereby enabling the parties to submit alternative solutions for resolving the dispute before that, with the filing of the report, the process is ended.

The consultant is responsible for the preparation of the conciliation report, in evident need to cooperate with the parties, their attorneys, their advisers of a party. At the conciliation report is given, by order of the judge, is enforceable, for expropriation, execution in a specific form of registration and mortgage.

If conciliation fails, the expert's report will again have the value of a mere act of preventive education and either party may request that the proceedings of the subsequent acquisition proceedings, through the mechanism of document production, but in respect of discipline in art. 698 cpc. However, it should be noted that this development is the subject of current discourses and reflections on the part of experts, concerning the scope and problems of interpretation.

Despite the current climate of uncertainty, we are pleased to announce that, for three of our clients, reconciliation efforts experienced under the new procedure under Article. 696 bis of the CPC, have been successful. It has been agreed with the banks. These transactions resulted in a refund of money by credit institutions, in detail, at the end of each procedure, prosecutors have said the party acted the transaction and the amicable settlement of the slope. The

refunded by the credit institutions is made through bank transfer with a value date that coincides with the signing of the minutes of the transaction. Therefore, at the conclusion of the procedure to our customers have been reimbursed by bank bank, respectively, and € 30,234.44 € 147,434.02 € 111,335.62.
For obvious reasons of confidentiality we can not give further details. Customers who wish to get more information, you can still get in touch directly with our external relations office (0931 1845593 - info@consasso.it )

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John Chiantore. In 1918 the widow of Arturo Graf Loescher entrusted him with the publishing house she had inherited from her first husband, Hermann Loescher, the founder. Before dying, the publisher of Turin opened its publishing house, Chiantore among other good things also published the book that will speak to you now.

Campanella This book is the first volume of the series "City of the Sun" and the date 1945. The series published "Political Writings" by classical and modern. In addition to Campanella include Fichte, Cattaneo, G. Montanelli, Guizot (you can read the list tape published in volumes and planned).

1945, or the moral rigor of Italian. During the early years after World War II the Italian publishing is poor in clothes, in the paper (that sometimes seems taken directly to the fish market), but is rich and austere in the proposals. In truth Campanella was not even during the two decades: the drone held by the Gentile Renaissance had passed, in part, the spontaneous resistance against the socialist utopia of Sun City, which offers adventure Norberto Bobbio by Einaudi in 1941 in the second issue of the series "New Collection of Italian classics recorded. But is the war who sees the resurgence of items to be entrusted with the reference to the civil conscience, moral and democratic reconstruction. The culture was trying to pull and draw policy, and did it with weapons which could provide characteristic: classic, excellent academics. Despite the Italian Academy has always been the place of wives, there is no doubt that it was enlivened by great intellectuals who were able to create and consolidate a tradition and a school (well, maybe sometimes putting their students in the classroom, but there are other roads?).

Of all the controversies and the witch hunt that is done these days on academics, on parentopoli in the universities, I would ask Brunetta in the sixteenth (which is already a challenge than measuring the proportions of the original), muttering today, as are elected ministers, under secretaries, the racks, etc..: not for competition. And the world of entertainment, journalism, has many strange kinship relations? Either you really believe that the X-Factor Francesco Facchinetti is by chance, while the quality that led him to wave in the silly program is pure talent? - Divago, saying nonsense (in the sense of speaking of idiots).

Luigi Firpo was, for better or for worse, one of these great intellectuals, university professors who have raised Italy and attempted to draw the attention of the political class to do, lives on the categories of politics. It was not yet born wicked fashion of political weakness, softness of the ideal ... but that's another story: the Facchinetti are not just on TV, but also in teaching and in newspapers, and the real problem is the scientific credibility of the University itliana and not the mode of recruitment of its teachers.

Firpo, I said, is the curator of this collection of political writings campanelliani and the torment of life in the Calabrian monk becomes enthusiasm and participation in the intellectual history of Turin, which seems to get excited for a moment the struggle, lonely and desperate, Campanella leads against the three enemies of the time: "tyranny, sophistry, hypocrisy" and armed with only his pen. A man like that, which recognizes in principle (moral and civil suits, not the heirs of radiation), his enemies, and enemies of the time, and not a particular politician raddensatosi lump on the ground of his country, a man so I say, is destined to suffer, to lose, especially when and if he decides to take the real weapons, and to drag the people into a rebellion and well-founded sacrosanct.

Yet Campanella dreamed union moral, political and civil men (at least those ordered in Christianity). Beware: I did not say he dreamed of peaceful coexistence, but the union, the real and material unity of all, a reflection of the great metaphysical and cosmic unity that dominates the thinking of the Renaissance, in whatever profile you take. The great Renaissance units, that sense of fullness and emptiness, before and after, day and night, finite and infinite, love and sorrow, great and small ... that is not a model precursor of relativism, as well as some might believe, but the ultimate essence of the power that you act, the intention is proof of that act, done.

Most of these speeches, addressed to the Netherlands, Italy and the principles of the Kingdom of Naples, are a sort of Machiavellian Prince down: not seek to justify and encourage the power as such, but to establish and shore up Realpolitik time with some basic political principles and ideals. For the Italian princes, he says, more or less: the Roman Empire is universally appreciated, because universal, but now all states are broken, and the only political reality that seems to resemble or aspire to universality that is the Church of Rome, the papacy, it is a need to address it. The point here is that the Church is encouraged as an instrument of unity and universal Supreme simply because no Catholic, any form of special power, that care and take care only to their exclusive interest, not only will fail, but is doomed to failure because unfounded, not conforming to the truth.

Campanella says:

anything after the nation lost the empire was able to recover it more: though there is hope in Italy, for the stars even contradict each other. Only there is this glory of the papacy, and it is so great that all Christian princes kiss the feet of our prince, who did the Roman emperor, and he raises and lays all the principles, and laws to the universe, and is Head inland and seat of the monarchy of the school of God, and what they have all the principles he is subject, in time is at least indirectly as directly in the spiritual (pp. 96-97).

The Awakening of Italy after the war is accompanied by a call to unity of the nation, the people of conscience, of the factions that picked up their banners and their war trophies on the same battlefield. How can a country so awakened by fascism in the end eat bologna in Parliament, in a total renunciation of any cultural system and all the other nonsense of recent times? Would you say that these lands have passed the big names of the Renaissance?

From the band:

The generous utopia of universal monarchy reasserted with tireless zeal to be controversial, with profound conviction of their mission as a prophet of the new century and establish the kingdom of the Gospel of the one fold and one shepherd.

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Prince

Before a dell'Einaudi cover any of this series, the famous NUE ("New Universal Einaudi) I take off my hat, and, since it does not port, go to pick one at random (and if I find I get a scarf), I put it in my head, I return to my place and then I raise it to me.

When I talk about this in my lecture series on the cover in a course for the publishing industry that takes place in Milan, seeking to highlight its innovative character, and synthetic linear and its modernity, which in itself can add many of the elements of the recent history of the Italian cover. Sometimes I will talk about the "social history of the cover" as I see it and how to explain it in my lesson.

the series possess forty volumes, and when I happen to find someone in the library, I buy it regardless of title. I also treat yourself to some, as no 3, the beautiful autobiography of Darwin, which are pentitissimo have given away and I'm looking for years.

Leafing Prince for the post, I was wondering how I could, as a boy, read it zig-zagando street in Naples. We know that in Naples do not walk, but he walked: there is enough space and peace to meditate and reflect, the vibrant "population", as we say when we talk about the Neapolitan mob, you drag into its vortex, or you against it rains horizontally like a swarm of meteors that you do not understand the origin and direction, but whose presence is felt by all possible ways, for shouting against you, you move, you shake it before . Even the smell is safe, because of frying, the puffs of each coffee that you kidnap 'pontoon' or alley "(every street corner). Color? folklore? Maybe. But try to walk to Naples in the mid-seventies, and then let me know (and this is a slightly quieter period, the city traffic far less populated than it is today!).

a corner a bit 'was more comfortable to read to us kids Via Cesario Console, and then, via Nazario Sauro and, subsequently, Via Caracciolo. The sea is allowed to smooth the rest, so I thought several times that the sea in Naples has no other function than to serve a safety valve in the city: an open area where you throw all the waste, exhaustion, softening Various concerns, boats , screams, betrayals, desires, readings, desires and hopes we're all big enough.

I do not know how I managed to read Machiavelli in that situation, but perhaps the anxiety of reading was stronger than everything. I remember But surely the effect on me was reading this, that left me day after day (maybe I already said I'm a reader and patient bed, without harming the book, but let me accompany unhurried) a curious sensation discomfort. That search for friends tamed, weak enemies, alliances, non-invasive, that held that even in civil principality (ie where a popular consensus is essential) is not sufficient virtue or fortune, but we need

"as soon as a successful ruse" ( p. 46)

diminishes me the image of high politics (I said that? Gosh, I do not think my keyboard!). I thought, a boy: Machiavelli great logician, but maybe our politicians of today do not need this incentive to deface the beautiful country. Maybe not wrong, and the discomfort I feel it still, when I see that governments are being built at a table with the cup of folly. Me I see the Chairman of the round with his Bussolotti:

"this here, let me think, too authoritative and independent, may be a good ally, but also a potential enemy. Well, then give him the chairmanship of the House, as it institutionalizes and me take off my feet. That. Here, perfect for justice, I must a lot of favors and then not shine of its own, so it is perfect for a task responsibility (my) "

and so on. Small Machiavelli terrify me, because it upset the order of things and practice (no longer even the pretense of power as such, but with the claim of right in practice) the typical Machiavellian rule:

"one has to note that men must cherish them or or off, because they take revenge for trifling offenses, not serious, so that the injured man that you ought not to be so that the theme of revenge "(p. 11).

Machiavelli is a lucid analyst dramatically, but the his invention of the policy corresponds to a locus of political technology, logic and ethics of civil (as there is also a logic in the moral dimension).

read Machiavelli, I've found, gives me the same way I feel uneasy in front of a monkey because I like too, I am brought back to the sphere of animal (friendly, scientifically sound, beautiful from a universal point of view of the union for which we are all similar, but still disconcerting). The Prince of Machiavelli, from the principles that govern us today, is in the same ratio of homo sapiens-sapiens with the monkey, only that the leaders are overthrown: the principles of today are the involution of the Machiavellian model, for which the cruelty and cunning tricks and redressing injuries were not legitimate and ethical standards civilians.

Machiavelli is one of those thinkers who I call the function (there are also thinkers of position): the invention of politics is the discovery of a specific use of reason, which is now space in the context of Renaissance culture, to govern the passions military, diplomatic and social, which had been subjected to opportunism or blind warrior from the will. The prince program calculates, distributes energy, fold men and things in a rational iron law: power. The reason in modern history progresses independently and regardless of the outcome reached by. Today, some think the reason that leads to relativism, but not quite so, because reason is the most definitive of human achievement: every step is undeniable and indelible. The real relativism is introduced when one attempts to counter the reason some other function (or other faith). In this fascinating aspect of Machiavelli for having to take another step to the right (so to speak), but at the same time dismayed by the instrumental use that has been made and does not regret a political logic, but maybe a bit 'more virtuous.

_____________

tie the jacket

The creation of the solitary inhabitant of San Casciano is absurd, because it implies the possibility of a strong state where there is missing the social life that should support it and here Machiavelli, with strange inconsistency, does not see clearly, he also laid bare the political misery of Italy, but, on the other hand, is a perfect picture, made, for whom nothing can be added. It's the quick statement, but formidable Italian history in its latest results, which will cover the Renaissance, and if there are certain times you can find, and if not, the little book, a source of historical details, come in and grabbed it done and led to the latest consequences of those individual moments that the spirit has determined and united in its progress. What was missing, this Italian civilization, most apparently, the Nicholas adds his own: his own militia, and this is the most creative act in which it appears in his life the power of his imagination. And certainly, if partial reforms of the political structures, whether by virtue of a man had been enough to save the Italian domains and the fortune of our civilization, in Prince effect can be found in the rules of salvation.

From the foreword by Federico Chabod

Unused Insulin Syringes

Fame usurped

Vittorio Imbriani! My absolute favorite writer. And for at least a number of reasons, not fixed. First language: it is about a half-pulled out of his vast collection of seventeenth-century texts (that baroque sometimes take you by the arm Spaccanapoli touring, without even realizing it), and half but it is also one of the allusive and less forked bellied sixteenth century, the language of bread to the bread and wine to wine, that of Chandler , so to speak (well known for comedy Imbriani having studied it thoroughly and have cared for an edition, but output posthumous), all seasoned and successful fighter of the ardor of the battles of the Risorgimento (he took part in wars and political struggles of the time and saw the heat turned on the warmth, the spegiudicatezza in opportunism: this effect is at least have made him the progress of the first national political season). Applicable to policy the same severity, wit, daring and fussiness that applied in his studies and critical language. A good example of this plot-critical policies can be precisely replicated from the writings in these usurped Fame, of which possess the edition published by Laterza Cross in 1912, which were published in 1877 by Imbriani. Feel like the present:

I named the volume Fame usurped . A birrichino of a pretazzuolo schiericato, I made a house of the devil on me, because I had used, in that I do not know versucciacci, Fame , plural of Fame . I had made use of that term compensatory measures and comforted by many examples of Petrarch and Boccaccio. So, instead of reciting the mea culpa , I welcome the opportunity to repeat the word on a title page, to show which takes into account the admonition of the scoundrel, and ignorant fools, who in s'impancano speak the language, not even read the senz'aver our best writers (p. 1).

The fierce controversy, with Mason, but also an intellectual who embodies a certain nineteenth-century liberal ideal (we do now that all those who speak ill of the priests do because Masons!), against the clergy, binds to and is linked, perhaps confused, with the ferocity of controversy philologist and critic of all forms of literary pedantry.

Moreover, the anti-literary pedantry is not fought with weapons of all new and positive language of science and sociology rising, but with the same muskets of grammar, vocabulary (variosissimo, especially in color) and syntax (fine and deep, almost unintelligible).

Another reason is the position of Imbriani respect to the reader: it always drags her by the arm, as is Hardy when he looks into the camera after one of the beautiful Laurel found. Imbriani is always seated next you: I asked permission to leave, you must say sorry if banal, asks if that place you've never been there, if you've never met one such person. A small example: after saying that the man is the object of all the unique and irreplaceable works of art in general, so there is a particular merit of a work that speaks of humanity, Imbriani attacks with a digression into a set of parentheses, which is voted by his own scholarship, which closes thus:

Salvator Rosa

[...] And if you took it with the booklet, which pointed to the iscena port of 'Aulis with a thousand ships! ...) What was I saying? I am distracted and I lost the thread. Ah yes! All men poetic [...] (p. 141).

And this is a critical and non-fiction.

Imbriani To understand we must not dwell too much on the novels, which include some of scapigliatura in the season, but reading the short stories, prose dry and free of psychological excavation of obscene and blasphemous tales he told and that, unfortunately, Milan has a wife bigoted mostly destroyed.

Read Vivicomburio the Frederick Schiller, the Three maruzze , the brilliant The petrified , or small autobiographical pages, short prose saggettini collected Stroll Roman (my favorite of these is trip to Monte Cassino), or Pompeii night. In these writings, apart from the content, what matters is the prospect of Imbriani, you do not expect ever (as he recounts the first sitting of parliament unit, only to underline the solemnity of the event is the fact that this Senator had not fallen asleep), for example, the idea of \u200b\u200bseeing Pompeii at night is already a surprising move.

But who are the protagonists of Fame usurped ? Well, maybe some names do not suggest much, but there is a real scoop: those who have usurped the fame are (in order of appearance), Aleardo Aleardi (poet and senator born in Verona in 1812 and died in 1878), Goethe (already own him, you got it), Giacomo Zanella (Vicenza priest born in 1820 and died in 1889), Andrea Maffei (Lombard poet and translator, born in 1798 and died in 1885).

Long would tell the filleted Imbriani of these authors, but of course that is worth trying to understand more about legal proceedings against Goethe and in particular against Faust, considered a masterpiece by Imbriani wrong. The essay (the 1865's, when he had consolidated his negative view of German culture, popular and much-admired first) offers the following basic ideas: the Italians praise and flatter by proxy, without knowing the objects of praise and flattery, the Faust is so little known Italian landmarks as the Mexican or harmony of the celestial sphere. The fame of Faust and its author precedes his knowledge. This is the default maximum of Italians, but they are also unbiased, because according Imbriani Italy, in terms art (but also of politics) is inert, is under suspension of all activities: participating in the cultural world simply judging. Art in Italy has already reached its peak, is now looking at what others are doing. Thus, at the same time, praise and exalt what is not known directly, but properly and judiciously assess what he knows.

The Goethe's Faust is a kind of hodgepodge:

After superficial examination, catches the eye of the reader, the Fausto Goethe almost be a vial, which contain Liquid weight specifically different, as if to say mercury, water and oil, which form three different layers by color and kind, and almost one of those 'flat furious that t'imbandiscono round tables beyond Germany, and' what are stacked heterogeneous foods: boiled, stewed pears and turnips, or sarcraut (which we would say in the vernacular: rotten cabbage), sommommoli Pezzuoli meat and fried herring. In Fausto , seeing: an epic, which has the 'alter ego sommommolo of a newbie, I represents the herring, and a legend, that ought to plug it in and take the place of the sarcraut ( p. 145).

That page! So Imbriani plays with complex matters and in a crushing blow: The dose of chemical that the scientist Goethe experienced for pleasure and conviction the poetic impulse, and the folk tradition, and all in the cauldron of bad German food.

course is wrong, and Imbriani Goethe right, but resize the pomposity of the great poet is not a fault of our el'avviso desecrator writer is clear: keep silent or, if you do not know what you mean, or only talk about what you know.

__________________________

Dall ' Warning of Benedetto Croce

unwelcome should be able to believe mo, these collections and reprints, which aim to spread awareness of an Italian writer, rather remarkable for the acuteness and severity of its guiding criteria for its peculiar physiognomy and style. Certainly Imbriani was not a critic nor tempered and peaceful display of popular ideas, and even I, that I have the honor in a long time and I have done his publisher, subscribe unreservedly (would not of purpose, the said) all in his judgments, or recommendations (including this statement would seem superfluous) the imitation of his expository method. Still, when in some reviews of the volume of Writings literary and bizarre satirical I happened to read the words of pious scandal to some of his sharp statements, or sympathy for him as for half crazy, a little 'smiles of recensenti ingenuity and a bit' me of little discernment sdegnai order was misinterpreted as an effect of mental imbalance whimsical artistic style of a lively intelligence, which deserves, in truth, readers will not pedantic.

Cuspid Amp 1600 Watt Price

Parallel Lives

the friend Marina Winery, where he rested accommodation pending a hundred of my books, was invaded by the last week. A dozen small volumes are now lying ill on a rug and we, as librarians Florentine forty years ago, and seeing them take care of them. The first volume of Parallel Lives is reduced as you see it here, and I am heartbroken.

The six volumes of this fine edition of the "Modern Library Mondadori" have their little story (parallel in some ways). Had belonged to my father, and her death I had them transferred ideally in my small personal library (I was a kid and I had just started buying books). One day they disappear from their seats and end up on the bedside table my brother, avid reader, messy and omnivorous, unlike me, which I read carefully and patiently. Over time, the six volumes dematerialize, probably following my brother in his movements. I no longer news, but I still sort of regret, a twinge of guilt. Some years ago, turning to libraries, I find the reprint of 1965 (the first edition in 1958) and the purchase. I thought it was done, I am under the illusion that he repaired to the small loss (who knows why I considered this: in the end Plutarch relived my brother's house in his parallel life). Removals, changes in the city, lack of space led to a diaspora of my library (which now reached a nice consistency: many volumes remained at Cassino, and my children, several hundred are still in Naples, I finally left only recently, and most are with me and my wife in Milan, where I hope to find peace at last). Marina offers us the possibility of filing a part of the library in his basement, warm and dry. Until a few days ago when a broken heating pipe led to a cascade of hot water ... And so, finally, here is the strange dinuovo regret.

Del Plutarch I always liked the parallel the title, because it is a sort of statement of scientific historiography that strips the story of the literary part less attractive and relevant, from my point of view, the work of the biographer, that the psychological excavation, claiming to describe the human soul in its claim to self-consistency, which threatens to be deep, but often instead is reduced to a superficial network of actions and reactions. The historical dynamics of the individual is made by Plutarch through contrast, through an examination of the forces that animate analog in the same way different characters by making their choices and actions. The comparative biography, in other words, to be disposed to the story, leaving it bogged down in a fruitless attempt to diagnose soul.

The introduction of Charles Hull was helpful for me to understand some dynamics of the work and the author. The idea, in particular, strongly evocative of a time for me boy, which Plutarch lived in the doorway of that portion of land (within the borders of Boeotia) where history and mythology seemed united in the same fate (see p. 9).

If you read the opening words of the lives of Romulus and Theseus (the first forming the book) indicates that for Plutarch the story is how the geography, space and time, in some ways, I am a ' only dimension in which, therefore, human life is necessary and free: required because space is the element of physicality that binds individuals and companies to deal with basic needs, because free time is the place where the man imagines and constructs his head and imagination. Ancient history, says Plutarch, that of origins, is like a deserted area:

"As geographers, or Sossio Senecio, in representing the earth compress the outer fringe of maps of the areas which have only a vague knowledge, beyond that limit and write "Dune without water, wild animals," or "Marshes mysterious" or "Scythians, frost," or "frozen ocean", so I write in these parallel lives, where the time gap which can reach an understanding and likely to offer a sufficient basis for a story that you comply with facts, I can say about the earliest periods: what lies beyond this point is a wonderful and sublime realm, inhabited by poets and fabulous, uncertain or totally ignored "(p. 31).

And here's the thing. In this uncertain realm ignored and we are sure to find poets and fabulous beasts and uncivilized. Plutarch does not make the mistake of confusing our ignorance of the origins, with the ignorance of the origins who lived them. This error does not commit it because he's lived the door of the world-historical myth.

This idea has stayed with me in the head, and I finally found in Vico, for which the beasts were poets of the origins and history, as made by men, is the product of the mind, language, fantasy, poetic force that also innervates the reason of self.

________________________________

From the inside front cover the third volume

admiration that Parallel Lives have aroused great poets like Alfieri and Leopardi and the reasons that have drawn inspiration for Shakespeare and Corneille, testify The fame and the enduring vitality of the most distinguished works of Plutarch. By comparing the lives of great figures of Greek and Roman, the method disclosed by the rhetorical tradition, the author penetrates the soul of his characters to discover, through action, character and moral qualities. The screw not only constitute the largest collection of facts that has come from classical antiquity, but they also take a particular value for the nobility of their substrate and the ethical requirement of an absolute truth which they aspire. "I do not write stories but lives," says Plutarch in the introduction to his "Alexander", at the same time explaining why he ignores the facts of great importance, ignores history, do not undergo a thorough analysis of its sources. The writer and moralist affecting particular, the story is the piece of mind that reveal the man and his feelings of famous enterprises or large battles. These products therefore have a value for example, and as such attracted the attention of the modern reader, because their moral commitment, even if tied to a completely unrepeatable is alive and present in the seriousness of its intent and validity of its teaching.

Knee Length Boho Skirts

Pupils of the sun

I recently found a blog in a reflection of my brother Antonio about Giuseppe Marotta, the author of Students of Sun . My brother says Marotta has been forgotten and snobbish because the Catholic guilt that the mainstream community in Italy in the Sixties and Seventies has obviously not forgiven. I think my brother was exaggerating, because it is true that Marotta has been blindly pushed aside, but not as a Catholic, rather than as a writer with a genuine interest in the fate of small people, whose narrative vein sweet, charming, fun and detached, never prevaricating or be merry, was perhaps regarded as evidence of that form of provincialism that dominate the squares of Naples edifying or poor that was, with that characteristic imprint color of the landscape and anthropology Neapolitan. Clichés perverse and difficult to dispose of (and also to bear, now).

remains, little consolation for those who love Marotta as my brother (who has dragged me into this unconditional love), the satisfaction The children of the sun (perhaps even more than Gold of Naples ) have proven, and that all production of Luciano De Crescenzo, for example, would not exist even without the model Marotta: Bellavista is just a Federico Sorice a bit 'more evolved. Except that beats Sorice Bellavista in human energy, of which he is free because the son of another era. Sorice out winning for the increased seriousness with which you sew on the mythology and classical culture, trying to adapt well to Rosario Nepeta Don hump and horns of greengrocers Salvatore Cademartori, guappo and beak, two of the students moving and caretaker of the legendary Sorice, ascended the pulpit to the streets of Naples.

Dear Anthony Marotta of the trouble is that the literature has uncovered no noise, has reversed the epic melodrama in sociology and mythology without ads spectacular or cause some gullible journalist. It is supported by the left that has been lacking, but the support of television, and this is an advantage in the long run.

But we come to the book. The issue is that of Bompiani, 1952, I found a library in Naples a few years ago. I bought it to give it to my wife. It bears the following dedication:

"Dear Nazzaro, here's pupils your old pupil Giuseppe Marotta. January 1954 »

The one in my possession is the first edition, which followed, Only in 1952, two other well reprints: sign of the great success of this volume extrovert and intimate. Few now remember it, even if the title was later made famous by the Group of Grizzly .

I spent many evenings to read to my wife, Milan, Naples this book, just as we did for boys. We met three or four (my brother Anthony, who played the janitor Sorice), Franco (his friend actor, impersonator and follower of Eduardo De Filippo), sometimes Thomas (my companion endless adventures big and small) and I (which change character from time to time). Read and interpret Pupils of the sun aloud was a pleasure to walk a thin and continuous. Certain formulas of expression, certain absolute superlatives and some daring combinations make the language a form of baroque Marotta tamed and softened, which is precisely the language of Naples. An example:

"Who was that? Saturn? My children, that was without doubt constituted authority, an absolute ruler, a founder greek-roman who had created the world of that time when nobody even thought about! Before Adam and Eve, before Muhammad, Saturn come, look, see that there is neither heaven nor earth, says: "But this is a deposit or a customs?", takes off his jacket, takes off his vest and gets to work. Gentlemen, that in three days made the Hall and Thessaly and the globe according to ancient mythology "(p. 8)

How little it takes to transform ' erudition in invention!

What I find amazing, and a form of guarantee of immortality little of this text and its author, is that the same effect of participation, fun drama and emotion that this was unlikely to us fans actors, is now revived by a young Milanese who do not even know the existence of Giuseppe Marotta, before I filled the house of his books.

I, for my part, I will not stop identifying with the young Vincenzino, the telegraph delivery boy who is the youngest of pupils in the school janitor Don Frederick and like all young people was particularly attracted to the erotic elements of mythology . When he feels that circulate nude nymphs, Vincenzino questions concerned the master

"Nude, Don Federico, stripped naked?" (P. 16)

Domanda che mette a nudo, per così dire, il sublime fascino della natura idealizzata, della carnalità sognata. La spiegazione che don Federico fornisce come risposta non lascia dubbi in merito:

«Figlio mio, era l’epoca. Tu vai nei quadri e che vedi? giovani o vecchi, uomini o donne al naturale, bianchi e lisci, precisi come la mamma li fece. Tutta mitologia, mi spiego? la mitologia e la pittura sono speciali e non debbono dar conto a nessuno... tu anche oggi se vuoi pittare una bella giovane senza camicia la pitti, salute a noi, e chi ti dice niente?» (pp. 16-17)

In questo desiderio mitologico e pittorico, che da ragazzo condividevo with Vincenzino, I still recognize today, because what we actually hooked to this impulse to union with things, their gestures, their faces, with the earth. Vincenzino And I can still say

"Don Federico, I'd do me here, honored on the grass, an hour of absolute mythology" (p. 17)

To those who can read, this book, which collects the little lessons on Greek mythology Sorice caretaker to a group of semi-destitute Naples, is a profound treatise on the two cultures, civilizations on the union of the two instances of the nature and reason, the need to unite and not divide the ancient and modern, with the right human weakness, the sublime with the ordinary, the freedom with the need, with the massive ignorance.

This book, as well as being an enjoyable read and intelligent, is a must because it teaches that the true culture and participation and that the essence of human life always comes to the surface. In essence, the truth is like a sunny day: you can close the shutters, but a "Senga" (slit) of light filters always (I take the picture from my Well, my heart Eduardo De Filippo). This is, I think, more than just the exaltation of the Sun that educates and Paturnie frenzy of the populace, the ultimate meaning of the title Pupils of the sun .

____________________________________

band From the book:

A grocery store, a cobbler, a coal merchant, a barber, a telegraph messenger hear the former janitor who tells Frederick Sorice In its own way, the record of the horns of Jupiter and Juno, the triumphs of the wiles of Venus and Mercury. This happens in the streets, or boat, or on the walls of the garden, or at the fountain square in a remote, or front of a tavernelle of Saint Lucia, because the friends of the students are funny, evocative of myths, in fact, the magical southern sun. The trouble Tescione Don Alfredo, Don Antonio Pagliarulo, Don Rosario Nepeta, mingle with those of Minerva, Neptune, Hercules, in the game u smiling and bitter vivid contrasts: a further genuine "Gold of Naples" sparkles and tinkles in this new book by Marotta.